In creating my repro-dolls, I use only the best equipment and accessories. Quality has its price, of course, but it actually pays to use valuable materials. Only by doing this, a doll can look similar to the antique model in the end. I prefer creating just one doll that to me looks really beautiful than making two or three dolls within the same time and with the same effort that are less beautiful.
| 1946 |
as a little girl, with the help of my girlfriend's father, I modelled my first doll from papier-mâché and sewed clothes for it. |
| 1968 |
as a mother of two children who attended an anthroposophic kindergarten, I learned how to make the original 'Waldorfpuppen'.
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| 1984 |
I started making 'Swiss rag dolls' and simple porcelain dolls. |
| 1985 |
I finished my first reproduction of an antique doll (a Kestner Hilda). |
| 1987 |
at Christmas my husband gave me a kiln. |
| 1988 |
I participated for the first time in an international doll competition (in Biel/Bienne, Switzerland). |
| 1988 |
I organised a Christmas exhibition in our house (which I continued to do for the next four years). |
| 1990 |
I won the first medal (Audience Prize 3rd place, Wanke-fair Hamburg). |
| 1991 |
I acquired the DAG-'Teacher'-Certificat. |
| 1991 |
in a course with the sculptor Horst Heerlein, I modelled my first artist doll. |
| 1992 |
I acquired the title 'Master of Dollmaking' from the Doll Artisan Guild, after having taken part in several intensive doll-making courses in Switzerland from 1989 to 1992. |
| 1993 |
I won the 'Eurodoll', the highest award of the competition of the same name, in the category 'Baby dolls' with a reproduction of a doll originally made by Schönau & Hoffmeister. |
| 1993 |
on October 1st, I opened my 'Doll's Paradise' in Braunschweig. |
| 1999 |
I won my fortieth medal at an international doll competition. |